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Color correction is a lot like sound design: it is often ignored, but when ignored reflects poorly on everyone involved in a production. Color correction can give you control over the texture, tone, color and clairity of a scene. If done properly it can can completely change the nature of a scene. When done bad is just trying to make things look “cooler.” In that case everything just ends up looking like a poorly shot episode of CSI.
Jed Smith, the person who has been The Last Quest’s post production wizard decided to post a blog entry showing the color correction before and after for each scene in our short “The Hot Dog Cycle.” I was amazed by how the slight tweaks Morgan and Jed worked on, made all the difference in some of the scenes. It is pretty interesting, check it out.

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On Saturday July 26th the film “Still Life” invaded a south Seattle club… The Mix. We were there from 7am to 12:30pm and got everything we needed. This is by far one of the most intense scenes we have ever set.

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This is an un-edited recording of us setting up for the master of shot Scene1D.

If you want to see the take you can skip to 1:29 in the video.

This is the third take and the one we are going to use in the final movie.

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So the reason our website has been neglected as of late is that we have been prepping a new movie made by The Last Quest! It is titled “Still Life.” Tomorrow is our first big shoot and I will be posting video that night of us onset.
Here is what I have been doing for the last week:

Scene 2

It is a what I am calling a “Production Bible.” It’s purpose is to give you a road map on how to get through the nuts and bolts of production.

So stop back by and see how we’re doing.

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