When Shakespeare wrote his plays he left out descriptions of costume, actions and even settings. This is why Shakespeare’s works can be set at anytime or place and the characters can be dressed in whatever fashion the production deems acceptable. When being taught screenwriting it is much the same. You only give the most essential of information. The reason for this is to leave the interpretation of what is happening in the script up to the director. The director needs to create their own images associated with the story that the script reflects. This is what directors usually mean when they reference the word “Vision” when talking about a film. So how does the director translate their vision into actual shots that the Cinematographer and crew know how to set up for?

A shot list.

This is a list of the shots that need to be captured in a particular location. Each shot should include shot framing, actor’s actions and any camera movements in the shot. A good shot list is like gold for all the people behind the camera. It is the blueprint for all production work.

Here is the shot list for the animatic of The Hot Dog Cycle:

Our next blog post will be watching our animatic.

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On Tuesday March 3rd Morgan and I will be speaking in front of a class full of college students at Seattle Central Community College about film making. In an attempt to make the experience as valuable as possible we are posting a series of blog posts detailing how we planed and executed a scene from The Hot Dog Cycle.

So where do you start? Well first comes the idea. The idea is meaningless without getting that idea into some kind of understandable form for people you are going to work with. This is not true of all forms of media making.This only applies to forms that resemble traditional narrative story telling . One thing you will learn quickly while making a narrative is that, it is one of the most resource intensive of all media forms.

So how do you get the idea down? Well for The Hot Dog Cycle, Morgan decided to follow a very traditional form… the script. He went through several drafts but really what you are going to read here is pretty close to what he first wrote down. This is a good place to start when analyzing any film, because usually the script is where the idea becomes a much more tangible and translatable artifact.

Here are the first three pages from the final shooting script for The Hot Dog Cycle:

This script was written using the free software Celtx.

So in the next post we will talk see our shot list.

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Right now I am capturing footage I took while we were shooting The Hot Dog Cycle. It is a trip to see all of these people who helped us do something very important to us at one time. Making films is something I love so much because it brings people together who have often completely disparate lives and puts all their collective energy towards a common goal that sometimes seems unattainable. Making movies is really about momentum and collective inertia. I love all of these faces looking awkwardly at the camera as I ask them stilted questions about how it’s going or how they are feeling. The Hot Dog Cycle was an amazing experience and has turned into a pretty good film at the end of all our 9 months worth of work. I hope a lot of people see it. Our SIFF and STIFF entries are in so lets hope one of those festivals gives us an opening here in Seattle.

The reason I am capturing this footage is for the DVD we are making and to post on this blog so check back often to see what the dealio is with the Last Quest blog.

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This is Brad here to say hello! So the site is up there are sections still under construction but for the most part the framework is up and we are here to stay. The Last Quest Blog will hopefully be a good place for fellow film makers and fans of the film making process to see how a group of people in Seattle have figured out how to make images move.